Sunday, August 26, 2012

kodachrome project @denver (fujica ax-5)

During the spring of 2010, I decided to take some of my Kodachrome stash on a trip to Denver, Colorado, since I had never been. Unfortunately, the weather was less than cooperative and overcast during a substantial part of my trip. Despite the cloud cover, I did manage to burn a few rolls of Kodachrome.

I stayed in downtown and found this groovy Rocky Mountain Diner neon sign near my hotel. Staying downtown was worth the loot, plenty of excellent restaurants and fantastic bars were within walking distance (a mile or so) from my hotel. I slept at the Magnolia, which I highly recommend.

After exploring near the hotel, my wandering took me to Lodo, where I discovered a vintage Coca-Cola sign adorning the Wazee Supper Club. Sadly, I did not get a chance to hang out at the Wazee Supper Club on this visit, but I did enjoy its unique ambiance on subsequent trips to Denver.

In my travels through Lodo, I came across Manny's Bridge. The bridge was built by the Pennsylvania Steel Company and completed in 1908. It originally served the Denver and Rio Grand Railroad, but eventually fell into disrepair. The bridge is named after Dr. Emanual Salzman, who was instrumental in rehabilitating the bridge for pedestrian use. Manny's Bridge is an important connection between Lodo and both the Cherry Creek and Platte River Greenways.

In addition to shooting Kodachrome, I traveled to Colorado to sample the multitude of tasty craft beers brewed in the state. Conveniently, Great Divide brews their delicious beers in downtown Denver and also has a swank taproom. Walking to Great Divide for a tour and some brews, I discovered some colorful graffiti.

My first trip to Colorado was a blast, I enjoyed exploring and sampling craft brews even though the weather was not always conducive to photography. I enjoyed it so much that Colorado has become an annual trip for me, albeit without Kodachrome.

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Thursday, August 23, 2012

adventures with s and d @auraria ghost town (fujica ax-5)

My friend D suggested we explore some ghost towns and sent me a list of several in the southeast. We decided to start with Auraria, Georgia, as it was reasonably close to Atlanta. In 1828, gold was discovered in north Georgia and several miners arrived on the scene. They founded Auraria, which was the first gold rush town in the state. Eventually, the gold ran out and the miners moved west, settling in what is now Denver. A few buildings are still standing in Auraria, Georgia.

On the appointed day, I picked up S and D, as well as M, who rode along for safety, and we drove north on Georgia 400 to Lumpkin County. Upon arriving in Auraria, we parked near Woody's Store, an old wooden building that was open for business into the 1980s.

We all piled out of the car and began taking pictures. S had battery issues with her digital gear, but had fortuitously packed a Nikon FE, so she photographed with that. I found a nicely weathered Coca-Cola sign on the side of Woody's. On the front porch of Woody's, I discovered a groovy old vending machine starting to decay.

Up the street from Woody's, we came upon the remains of the Graham Hotel. I had hoped to explore the interior, but as shown in this photograph of the collapsing Graham Hotel, the building was in an advanced state of decay and entering was out of the question. Across the street from the store and hotel are some unidentified ruins. This foundation and what might have been the roof are all that is left of the building.

Auraria also had an old graveyard. I was unhappy with most of the shots I took in the cemetery, but I did get this photo of a decaying monument. Sadly, no ghosts were encountered in either the town or the graveyard.

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Sunday, July 29, 2012

kodachrome project @charleston (fujica ax-5)

Early in 2010, I took a road trip to Charleston, South Carolina to put some of my Kodachrome stash to good use. This was my first visit to the Holy City, despite living nearby in Atlanta for over ten years. The weather on this trip was absolutely fantastic and I was able to burn through four rolls of Kodachrome.

Downtown Charleston is an eclectic mix of shops, restaurants, and residences. Although national retailers are prominent and a few chain restaurants make an appearance, the majority of eateries on the peninsula are independents, which leads to some interesting signs as they vie for attention. I particularly enjoyed this neon bicycle on top of Basil.

Overall, downtown Charleston is well kept and a number of businesses are thriving. However, on the more interesting end of King Street, I was able to take this photograph of a burned out building in downtown Charleston, South Carolina. In contrast, this picture of a fish skeleton was taken at a well kept shop.

As mentioned previously, Charleston features a plethora of interesting signs. A substantial number of them are neon, like this Berlin's for Men sign or the Tellis Pharmacy sign.

In between photography expeditions, I enjoyed visiting several of Charleston's art galleries. Imbibing libations at two different rooftop bars with great views of the city and harbor was also a good way of passing the time. I had several tasty meals, with Coast being a standout. The seafood was delicious and the restaurant is in a former indigo warehouse, so the ambiance is top notch as well.

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Tuesday, October 11, 2011

adventures with s @dublin and toomsboro (nikon d70)

Early in 2009, S and I headed down to Dublin, Georgia to see what we could find. Our first discovery was a dive bar, with the requisite faded working class beer advertisement painted on the exterior wall. The back of the building was in even worse shape, as evidenced by this photograph of a busted metal roof.

Next, we wandered behind an electronics repair shop, where I took this image of a television in an alley. Around this time, several suspicious persons standing around with no apparent purpose began taking an interest in our camera gear. With nothing left to photograph in Dublin, we decided it was an opportune time to leave.

S and I headed north and ended up in Toomsboro, Georgia. Although not completely abandoned, Toomsboro seems to be a ghost town for all practical purposes. I photographed this old gas pump at an abandoned station just south of Toomsboro. In downtown Toomsboro, I found this warning sign on an ancient gas pump.

After leaving Toomsboro, we headed north again. S and I found what appeared to be an abandoned old auto shop and stopped to take a few pictures. Several hundred yards behind the shop was a house with 1980s hair metal blasting into the countryside. We found this somewhat strange. As we finished shooting the shop, we were accosted by a large sketchy fellow who was obviously quite drunk. We carefully backed away, hopped in the car, and left.

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Monday, January 31, 2011

kodachrome project @athens (fujica ax-5)

Despite living in Atlanta for a decade, the only time I visited Athens was to catch a Starlight Mints show. So, on a sunny Saturday in November of 2009, I took a road trip to Athens with my Fujica AX-5 and a few rolls of Kodachrome.

Not knowing what to expect, I was surprised to find some rather fancy architecture in Athens. As shown in this photograph of the Fred Building, some structures had elaborate decorations and their names emblazoned on the front. Unfortunately some buildings are starting to fall into a state of disrepair, as shown in this picture of peeling paint on the College Square Offices building. To my delight, faded old signs abounded on the sides of buildings. This advertisement painted on a wall is one of my favorites.

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Sunday, January 23, 2011

adventures with s and d @providence canyon (fujica ax-5)

A few years ago, I went camping with S and D at Providence Canyon in south Georgia. I hate camping, but adjacent to the trail along the top of the canyon are several rusted out decaying automobiles. The vehicles were part of a homestead before the area became a state park. A sign near the dilapidated hulks states that removing the cars would be detrimental to the ecosystem, as several creatures make their homes in the abandoned shells. However, I suspect the state is too cheap to do it. No matter, I enjoyed photographing them.

Along the canyon rim, we encountered the first of the cars. Most are still recognizable as automobiles, however ascertaining make and model is nearly impossible. One of my favorite shots is this rusted piece of a car. Despite the years and decay, some paint still remains, as evidenced in this picture of an abandoned vehicle. My favorite shot from the trip is this headlight assembly full of spider webs. Not everything is busted cars and rusted trucks, we also found an old graveyard where I took this photograph of a stone wall.

As an aside, Providence Canyon is not a 100 percent natural gorge. Poor farming methods caused the erosion that resulted in the canyon.

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Wednesday, December 08, 2010

Erinn Interview (Urban Nation)

I've been following Erinn's photoblog, Urban Nation, for at least three years, maybe even four. During that time, he's moved from Toronto to Ottawa and traveled to several foreign and exotic lands with his camera in hand. Learn more about the man pushing the shutter release in the following interview.

[Salvador forgot to write the introduction last night. The previous paragraph was added after the interview was originally posted - Ed.]

How did you first get into photography? Who gave you your first camera, or did you purchase it yourself? Was it film or digital?

Like most people, I had a crappy point and shoot that my parents gave me at some point in my teens. It never got a lot of use, however. My real entry into the world of photography was a gradual one. I decided when I was 28 that I wanted to go back to school to study urban planning. Several of my courses necessitated the use of a camera to photograph different building types and forms, so my mother, recognizing my state of wretched poverty, bought me a digital point and shoot. However, the focal length of the lens wasn't quite what I wanted for architecture, so I never shot as much as I would like. After a while, I was given my grandfather's old Pentax Spotmatic, which had a 28mm lens. I was then able to start shooting architecture more as I wanted and developed an interest in photography as an end unto itself.

You have quite the eclectic collection of camera gear. How does what you shoot influence the gear you take along? Do you start out with a specific vision and mind and take the gear to accomplish it, or do you pack your camera bag first and then see what you find?

I start with a vision and pick the gear to go with it. Gear is there to achieve your vision with. Although I have a lot of gear, I tend to use only a few cameras on any regular basis. I use my Pentax 6x7 mostly, because of the high resolution and the shift lens I have for it that gives me more flexibility for composition. When I travel, I use my Mamiya 645. It's a relatively compact medium format SLR that won't do permanent spinal damage if you try to carry it all day.

Other than that, I will sometimes use offbeat cameras like my Holga, or a pinhole to experiment and just have fun. Sometimes it's nice to shoot stuff that's not normally your main subject matter, or just grab a camera and go, to keep your eyes fresh.

On Urban Nation, you seem to favor black and white, please tell us what you like about monochrome.

There are a few reasons I like black and white. It became my film of choice when I started because I could buy a roll of 35mm AGFA APX400 for $2.50 after tax, as opposed to $4 and up for everything else. So essentially because I was/am cheap. I also like the control you can exert over the black and white process by using different developers, darkroom techniques, etcetera.

From an artistic perspective, my own tastes tend to run to black and white because I see it as a medium that puts more emphasis on strong composition and because it strips away a lot of distraction, forcing you to engage the subject matter, not the details of the subject matter.

What made you decide to start a photoblog? How long have you been photoblogging? What frustrates you most about photoblogging?

I've been photoblogging since 2006. I decided to photoblog because I felt I needed an outlet to share some of my ideas and my vision. When I started, I thought it would help me to improve simply by spending more time on my photography. What frustrates me the most about photoblogging now is the sense that if you're going to do it, you have to post 5 to 7 times a week, which sometimes leads to a focus on quantity over quality.

Do you try to stick to an overarching theme, or is your photoblog more of a visual journal?

It's a bit of both. My training as a planner and interest in cities tends to keep my focus largely on architecture and urban landscapes. That's not to say I don't get distracted and entertain other themes, so in that sense, it can also be a visual journal.

Do you enjoy the computer/technical aspect of photoblogging, or is it a source of irritation?

I'm neutral about it, for the most part. I suspect that sometimes it distracts me from learning about good technique to some extent.

What other internet related photography projects have you participated in?

Every now and then sites like the following have made use of my photos:

What is the best photograph you never took? What is the best photograph by another photographer you wish you had taken?

I'm going to have to say that the best photograph I never took was a shot of a canal in Venice. I did take a version of it with people in it that I found a bit distracting. If I had waited another couple of minutes, I would have had it, but alas, when you travel with other people, you sometimes can't afford to wait!

There are so many photographs by other people I wish were mine. This is one of them: Seattle Freeway by Michael Russo.

What is the most interesting story about one of your favorite photographs?

I feel slightly embarrassed to say that there aren't too many interesting stories to go with a lot of my photos. I tend to shoot on my own, and when there aren't too many people around, so the element of spontaneity is not often there.

I suppose what I sometimes find funny is that when I think of a picture like this one: City View is how many times I sometimes go back to try and get the light I want. Some people would just go with a digital camera and study the light for a few weeks, but no, I go and blast through a roll of film each time. I have another half-dozen versions of this shot, and this isn't even the one I like the most!

How much is your artistic vision influenced by what you do for a living?

I would say my profession (I'm an Urban Transportation Policy Advisor for the Canadian government) and my photography both came out of my love of cities. I would say they are different sides of the same coin.

When traveling, how much does the local environment influence your subject matter? Or do you have an idea of what you want to show (e.g. architecture, signs, urban form) and go looking for specific locations?

I tend to go with what's on offer when I travel, as my trips are not typically influenced by what I want to photograph, per se. That being said, I usually get a few ideas for what I might like to shoot when I'm reading up and planning for my vacations. The rest is the result of serendipity and what the local environment has on offer.

Enough about your photography, tell us a bit about yourself.

I'm a mild-mannered bureaucrat by day, and urban photographer by night. I live in Ottawa, Canada with my wife, and we're expecting our first child this spring. I'm also about to test my love of home renovations on an older home we've bought. I also love good movies, witty comedy, music, travel and good wine.

Favorite guilty pleasure?

Anything in a bottle that doesn't have pineapple.

What is your favorite thing to do when not photographing?

It varies. Lately, I’ve been quite content to read a lot of books. I'm working on one of Johnny Cash's autobiographies, a book about Charlie Chaplin, Che Guevara's Motorcycle Diaries and some home renovation guides. I've also been known to entertain myself with good food, good wine and company. Scrabble is also a part of my day.

Have you had any formal training in photography? If so, what did you find most useful? If not, what advice do you have for others making their own way?

Not directly. I have had a bit of formal training in print making, which has made me think more about lighting, framing and contrast than I used to. However, if you don't have the vision, it's not worth much. Training only helps you to focus your vision.

Do you enjoy the community aspect of photoblogging? Give a shout out to some of your favorite photobloggers and briefly tell us what you like most about their work (i.e. what keeps you coming back).

I do and I don't. I've met some absolutely wonderful photobloggers over the years, so from that aspect, how could I complain? However, I find that the bonds that can form over the months and years can obscure the artistic merits of blogging, at times. Looking at people's work every single day can breed complacency. Combine that with budding friendships, and I think it can make it harder to engage each other's work critically. I do still visit the blogs of a handful of people on a regular basis, even if I don't always leave comments. I'd say the people worth a shout out would be:

Actually, all of these photographers have varied styles. What keeps me coming back is the fact that they all have different takes on things, which I find refreshing. I try to balance the photography I look at between those who I can get technical inspiration from, and those who have a passion and unique outlook.

What's next for you and your photoblog? Can we expect more photographs from your travels, or more of Ottawa in the near future? More night and low light photography? Do you have any shows planned (group or solo)?

I'm hoping that early in the new year, my blog will have been redesigned and refocused. I'm moving away from the idea of a photoblog (although there will likely be some element of that on my site), and more towards a portfolio, or project-based site, where I may post less frequently, with a more of a focus on presenting my photos as a body of work.

I'm currently editing a series of shots taken in New York City this summer and will likely cull some of my best shots from the last 5 years to make galleries with. I'm sure there will be plenty more of Ottawa and more at night. The onset of winter may slow those down a bit.

I currently have no shows planned. I am in the process of trying to complete a series of photos so that in the next year or so, I can shop for my own exhibition, however.